OTD: The Record Men: Creed Taylor

The January 1965 issue of Jazz magazine highlights Creed Taylor’s influential role as a jazz A&R producer. Known for his commercial success and artistic sensitivity, Taylor shaped numerous significant jazz recordings. The article discusses his innovative techniques, including unique project concepts and collaboration with artists, emphasizing his foresight in navigating the evolving jazz landscape.

Creed Taylor in 1979

Today marks what would have been the 95th birthday of Creed Taylor, a producer celebrated for his subtle yet impactful influence in the jazz music industry. Despite facing significant challenges, including CTI’s bankruptcy in 1978, Taylor’s dedication to crossover music has left a lasting legacy, exemplified by his nurturing of artists like Wes Montgomery. His approach, blending commercial elements with jazz, aimed to broaden the genre’s appeal without compromising its essence, a reflection of his deep commitment to both the art and its artists.

Josh White and his wife, as White testified at the HUAC.

Josh White and Creed Taylor

September 1st marks the start of “Creed Taylor Month” – an annual tradition started by A&M/CTI in Canada in 1968. It’s something interesting to observe each year, even though Taylor month was October in America. For background and details see the entry embedded at the bottom of this post. This year, I thought it also worth remembering that on September […]

The Music Came First

The Snapshots Foundation, Johnathan Bewley produced bio-pic of Creed Taylor has been released on Vimeo. A great number of contributions from Herb Alpert, Ron Carter, Bob James, Harvey Mason, Lenny White, Hubert Laws, George Benson, Ashley Kahn and more. In many ways, as Creed would have wanted, it’s as much a tribute to those artists, than it is to Creed. […]

Am-Par, Electro-Voice and the Story Of Stereo

Just what was the first Am-Par stereo album? Does one of the compilations hold that record? Having established which Am-Par release compilation/sampler was the first record given away with a consumer magazine closed one door on Am-Par compilations, but opened another. In this post I look at the adoption of stereo in the USA, from the perspective of the Am-Par […]

Shock – Drama, and the Toni Darnay story

In the best horror tradition, the people who put this record together are as pleasant and gentle a group a you’d like to have in for tea. Shock – Liner Notes – David Drew Zingg 1958 It’s probable that almost anyone that’s interested in the music produced by Creed Taylor has never heard of Toni Darnay? Heck, I’m guessing even […]

Full Color Fidelity Jazz

While most of us know Creed Taylors productions for their lavish gatefold covers, more often than not adorned with exotic, artful, and amazing color photographs by Pete Turner, the music Creed produced also made a number of firsts in other ways. This entry discuss the first ever vinyl record to be included in a consumer oriented magazine. It includes a […]

The ABC of Specialty Recording

[This post was originally written as part of the 2021 post, Happy Birthday Mr. Taylor and also continues and replaces an earlier post on the specialty recording period of Creed Taylor’s career.] After graduating from Duke University, 2-years in the Army, one year of which was spent in Korea, Creed Taylor arrived in New York City in 1954, aged 24-years […]